MUSCON at Vitra; and a summer of design exhibitions

IMG_1841

MUSCON 2014
European Museum Network Conference
Vitra Design Museum
Charles-Eames-Str. 2, Weil Am Rhein, Germany
www.design-museum.de
15 to 18 October 2014

Last year I was invited to attend a MUSCON conference hosted by the Vitra Design Museum, the institution that instigated the network back in 1996. I was present as an observer (along with fellow researchers Sabina Michaelis and Rosita Satell from the University of Southern Denmark) as the event is intended for staff from member institutions to pitch and negotiate the “buying and selling” of upcoming exhibitions as touring shows (here’s how VDM do it). Every year or so there are regional MUSCON conferences in Europe, the US and Asia. As a crash-course in museum programming and an introduction to a wide range of institutions (from Finland to Italy, Kilkenny to Ljubljana), the conference offered an opportunity to underpin my research with the kind of real-world issues facing museum staff…and put names to faces. Although not every MUSCON institution is a “design museum” they’re all keen to include design in their curatorial offer.
Continue reading

signature

From the Archive; Graphic Design: Now in Production

Occasionally I will dip into my archive of reviews, written for various publications and websites, and as I’m back in New York City, visiting design exhibitions, I thought I’d re-share this review of an exhibition event.

Graphic Design: Now in Production
Cooper-Hewitt, National Design Museum
Governors Island, New York City
Visited 1 September 2012

Picture 26:9:12

4:38am, 26 September 2012
“Shake hands with the devil”
by Liz Farrelly
Originally posted on Eye Blog

The final hours of Graphic Design: Now in Production (the New York leg) provided a snapshot of contemporary practice, from the Stone Twins to Metahaven.

For the last Saturday of Cooper-Hewitt’s Graphic Design: Now in Production exhibition in New York, a student and professional crowd massed for ‘The Final Hours’. The temporary location (while the Carnegie Mansion is closed for renovation) was Governors Island, a breezy six-minute ferry ride from Lower Manhattan.

Co-curator Ellen Lupton observed that the audience was a mix of ‘die-hard graphic designers, who’ve come over repeatedly, and other visitors who’ve known nothing about design before their visit’. Walking around the show, the excitement was palpable. Enthusiastic children reported their finds to parents and cameras were clicking as visitors took photos of each other in front of favourite exhibits.
Continue reading

signature