Phil Ashcroft’s Solar System Parameters; interview

Phil Ashcroft and Liz Farrelly
Interview, 26 June 2013

Solar System Parameters

Last summer, I met Phil Ashcroft to talk about his upcoming, limited-edition monograph, Solar System Parameters (published by Gamma Proforma, with an essay by my CSM colleague, Simon Hollington) and an exhibition, “Galácticos”, at Gamma Transport Division, Edinburgh; now both are up and out — the exhibition runs until 6 March 2014. We talked about his diverse work practices, and his career, which spans fine art and design; here’s the interview.
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From the Archive; Raymond Pettibon in London

Having just discovered Raymond Pettibon on Twitter (am marvelling at his word games, but can’t decipher them), I thought I’d repost this exhibition review, written for Eye Blog.

Eye Blog Pettibon

Sadie Coles HQ
69 South Audley Street, London W1
3 October to 17 November 2012
Visited 5 October 2012

Thursday 5:00am, 11 October 2012
“Don’t explain”
by Liz Farrelly
Originally posted on Eye Blog

@the artist; Courtesy Sadie Coles HQ, London

@the artist; Courtesy Sadie Coles HQ, London

Raymond Pettibon straddles the high / low culture divide, adding his seductive scrawl to the white cube of a London gallery

Raymond Pettibon’s latest series of drawings investigates recurrent themes around American pop culture, film noir and baseball, and are currently on show at Sadie Coles HQ. This mid-sized, commercial gallery, a two-floor white cube, was well populated for a rainy Friday afternoon – it is a treat to see these drawings (loosely termed) in the flesh.
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à la mode in New York

Claude Monet. Women in the Garden, 1866. Courtesy of Musée, d’Orsay, Paris. Alongside embellished white dress from the exhibition

Claude Monet. Women in the Garden, 1866. Courtesy of Musée d’Orsay, Paris. Alongside embellished white dress from the exhibition

Impressionism, Fashion, and Modernity
The Metropolitan Museum of Art, New York City
26 February to 27 May 2013
Visited 12 May 2013

From PUNK to the sublime; the next-door exhibition, on that Sunday morning, was one I’d just missed at the Musée d’Orsay in Paris back in January, where tantalizingly the entrance banner was still up but the show had closed. So I was excited to see this joint venture (between museums in Paris, New York and Chicago) in its second incarnation, enjoying spacious galleries and perfect lighting that happily accommodated both paintings and textiles.

Even though my main professional interest is contemporary design in the context of design museums, as an avid gallery-goer I’m drawn to an exhibition such as this, which presents a sure-fire art-historical hit (there’s no better crowd pleaser than Impressionism) in a new light. And, from the point of view of Museum Studies this is an interesting show; mixing over 80 major figure paintings by Impressionists and their fashionable contemporaries, with historical artefacts and garments – the clothes and accessories depicted in paint on canvas – demonstrates a newly collaborative approach to exhibition curation.
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When an exhibition is a movie…

Manet-Portrait_Berthe_Morisot_with_Violets

Exhibition: Great Art on Screen
Manet: Portraying Life

Duke’s at Komedia, Brighton, UK.
Attended, 3pm, 16 April 2013

Sneaking off to the movies mid-week and daytime usually feels slightly naughty, but this particular escapade fits well with my MPhil/PhD research topic, which is looking at the future of museums (OK, that’s a bit vague)…
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