Memory Interrupted

Entrance to “Memory Palace”, Porter Gallery, Victoria and Albert Museum.

Entrance to “Memory Palace”, Porter Gallery, Victoria and Albert Museum.

Sky Arts Ignition: Memory Palace
Victoria and Albert Museum
Cromwell Road, London SW7
18 June to 20 October 2013
Visited 26 June and 15 August 2013

The V&A’s Porter Gallery is, for me, the most engaging space within this behemoth of an institution, site of contemporary design exhibitions that continue to redefine the genre. Adjacent to the main entrance and information desk, it’s perfectly placed for quick-fix visits and the right size to accommodate an exhibition that is immersive but not overwhelming. The icing on the cake would be if all the groundbreaking temporary shows here could be free, so that more visitors might experience the V&A’s cutting edge of curatorship and exhibition design, without a second thought.

Visiting the current show, Memory Palace, the gallery was quiet, not empty, but not teaming like some rooms during the Bowie-Daze and while school was out. The visitors were a diverse bunch though; old, young, locals, tourists, and all very engaged. I asked a guard who confirmed; ”yes, people are reading”.

Disclaimer: If you haven’t seen the exhibition, go see it and don’t bother reading on, as these observations won’t make much sense until you’ve experienced the actual event.
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From the Archive; Collecting Digital Art and Design

I’m reposting these talk-and-conference reviews from 2010, as the issues covered are now to topical. With Louise Shannon recently made Curator of Digital Design at the Victoria and Albert Museum, debate continues around what museums might collect from the field of digital art and design, and how it should be conserved (MoMA’s Architecture and Design Department set the pace with its Video Games acquisitions, which I spent a fun afternoon playing on my last visit). Louise co-curated the seminal show, Decode: Digital Design Sensations, staged in the Porter Gallery, and hearing one of the co-curators of the latest show to open there, “Sky Arts Ignition: Memory Palace”, on BBC Radio 4’s “Start the Week” (17/6/13), made me think about how we might be “reneging on remembering” by relying on digital storage to save our real-life memories. But what happens when digital formats deteriorate and/or become obsolete, and those files are on longer accessible? Check back for my review of Memory Palace, coming soon…

John Maeda in conversation with Alice Rawsthorn
Attended 2 February 2010

Decoding the Digital Conference
Victoria and Albert Museum, London
Attended 4-5 February 2010

John Maeda talks at V&A

Monday 7:01pm, 22 February 2010
“Discussing the digital”
by Liz Farrelly
Originally published on Eye Blog

John Maeda on dirt, de-cluttering and the power of art

Even though John Maeda wasn’t speaking at the conference, “Decoding the Digital”, staged alongside the exhibition Decode: Digital Design Sensations, his work and words (from this lecture earlier in the week) were referenced during the proceedings.
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