Memory Interrupted

Entrance to “Memory Palace”, Porter Gallery, Victoria and Albert Museum.

Entrance to “Memory Palace”, Porter Gallery, Victoria and Albert Museum.

Sky Arts Ignition: Memory Palace
Victoria and Albert Museum
Cromwell Road, London SW7
18 June to 20 October 2013
Visited 26 June and 15 August 2013

The V&A’s Porter Gallery is, for me, the most engaging space within this behemoth of an institution, site of contemporary design exhibitions that continue to redefine the genre. Adjacent to the main entrance and information desk, it’s perfectly placed for quick-fix visits and the right size to accommodate an exhibition that is immersive but not overwhelming. The icing on the cake would be if all the groundbreaking temporary shows here could be free, so that more visitors might experience the V&A’s cutting edge of curatorship and exhibition design, without a second thought.

Visiting the current show, Memory Palace, the gallery was quiet, not empty, but not teaming like some rooms during the Bowie-Daze and while school was out. The visitors were a diverse bunch though; old, young, locals, tourists, and all very engaged. I asked a guard who confirmed; ”yes, people are reading”.

Disclaimer: If you haven’t seen the exhibition, go see it and don’t bother reading on, as these observations won’t make much sense until you’ve experienced the actual event.
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Grayson Perry; Weaving Media

iPad and iPhone app by Aimer Media

iPad and iPhone app by Aimer Media

The Vanity of Small Differences
Victoria Miro
26 Wharf Road, London N1
From 7 June to 11 August 2012
Visited 21 July 2012

Currently at Royal Academy of Arts, London
From 10 June to 18 August 2013
and Sunderland Museum, Tyne and Wear
From 28 June to 29 September 2013

Not just an exhibition; it’s a six-tapestry cycle, “The Vanity of Small Differences”; a three-programme television series, “All in the best possible taste with Grayson Perry” on Channel 4; a London show and national tour; a book by Hayward Publishing and now an app by Aimer Media; the multiple-media by which Grayson Perry has disseminated his thesis on British class and taste is an impressive exemplar of cross-platform marketing and, in academic terms, of engagement and impact. If Perry were earning REF (Research Excellence Framework) points for a higher education institution, it would score off the scale.

Last summer I watched the TV shows (thanks 4oD) and then stood in front of the tapestries on a sunny Saturday afternoon. It felt like half the Guardian readers of London were doing likewise, but the Victoria Miro gallery was spacious and calm (thanks to a recent addition by minimalist-maestro Claudio Silvestrin). Because it’s a commercial gallery and doesn’t attempt to capture visitors for an all-day session (with cafes and shops), the crowd milled and departed. It was a diverse audience too (possibly because of the TV-tie-in), providing an excellent opportunity for people watching and eavesdropping. A second gallery sofa would have been nice.

A reinterpretation of William Hogarth’s “A Rake’s Progress” (1732-1733), the project is a moral tale for 21st-century Britain. In the TV shows we hear Perry’s aims and motivation, travel with him around the country and go behind the scenes, witnessing his working process, a blend of research, drawing and making.
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From the Archive; Organic by Kapitza

Organic is one of my nominations, featured in the Design Museum’s Designs of the Year exhibition. I’ve written about Kaptiza’s two books for Eye magazine. Why am I reminding you now? Because there’s just a month left to see this annual review of the best design around, and to participate in the Visitor Vote. Straight from the website: “Come along to the exhibition’s pop-up polling station and place your sticker on the design that YOU think deserves to win. The winner will be announced on Friday 5 July.” Exhibition closes 7 July, 2013. Check my tweets for updates.

Here’s my review of Organic.

Kapitza Organic Eye Blog

Wednesday, 12:57pm, 11 January 2012
“Force of nature”
by Liz Farrelly
Originally posted on Eye Blog

Organic by Kapitza. Introduction by Simon Thorogood. Published by Kapitza Books
New Kapitza book replaces geometric certainty with organic structure

Following on from their 2008 book Geometric, the Kapitza sisters, Nicole and Petra, have produced another tome, full of colour, pattern and ideas. This time they self-published, so as to oversee all aspects of the editorial and production process.
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