Lecture; Temporary Contemporary, the Boilerhouse at the V&A

As a tie-in with Bloomsbury Academic, publishers of Design Objects and the Museum (see, here), Joanna Weddell and myself were invited to give a Lunchtime Lecture at the Victoria and Albert Museum. As we shared the time-slot our talks were short and aimed at a general audience, but both are based on doctoral research, and the blurb draws connections between our projects, so I’ve included it in full before posting an edited version of my talk with the slides, which provided an additional strand of information supplementing the visuals.

Contemporary Design Objects in the Museum: Two Perspectives
The Lydia and Manfred Gorvy Lecture Theatre
Victoria and Albert Museum
Cromwell Road, London SW7
26 April 2017

‘This lecture will examine the exhibition of 20th century design. Circulation, or ‘Circ’ was responsible for many of the Museum’s acquisitions of post-war contemporary design. Joanna Weddell will discuss Circ’s role as a ‘museum within a museum’ through shows such as Design Review, 1975. The Boilerhouse Gallery was a temporary intervention at the Museum funded and run by the Conran Foundation, as Liz Farrelly will explain. Betweeen 1981 and 1986 the Gallery increased the visibility of contemporary design through thematic exhibitions that booted visitor figures and grabbed headlines, later morphing into the Design Museum at Shad Thames.’ Lunchtime Lectures Summer 2017, V&A.

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First Visit; Tallinn, Estonian

Gallery

This gallery contains 22 photos.

This gallery illustrates my whistle-stop trip to Tallinn, Estonia. I was invited to deliver a paper at a seminar, part of the 7th Tallinn Applied Art Triennial, for an edited version of that paper, see here. This post is about … Continue reading

Tomorrow’s Designer; discussion at the Design Museum

Screen Shot from the Design Museum’s website, detailing the evening’s event

Tomorrow’s Designer: What next for Designers in Residence?
Design Museum
Shad Thames, London SE1
23 March 2016

Chair: Justin McGuirk, Chief Curator, the Design Museum.
Speakers: Indy Johar Co-founder of Architecture00; Gem Barton Course Leader in Interior Architecture, University of Brighton; Ineke Hans of Studio|Ineke Hans; and Asif Khan founder of architecture studio Asif Khan Limited.

The opening of the new Design Museum, its latest incarnation, is getting closer, the stand-alone shop on High Street Kensington launched this week, and the main Museum building will be unveiled in late November. Right now, the Design Museum in Shad Thames is closed. So here’s a review of the last event I attended, back in March, which discussed the “designer of the future” with reference to the Museum’s Designers in Residence programme.
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From the Archive; revisiting Norwegian design

2016-05-15 13.12.18

“Non-competitive Advantage”
by Liz Farrelly
Blueprint
No.336, pp.148-164

On the occasion of an exhibition promoting Norwegian design in New York, here’s an article from my archive, “Non-competitive Advantage”, available on DesignCurial. Originally published in Blueprint magazine, I wrote it after a snowy trip to Oslo in February 2014, organised by the Norwegian Embassy in London and hosted by DOGA, the Norwegian Centre for Design and Architecture. A group of European journalists met and mingled with Norwegian designers, and as well as seeing and hearing about new work the big surprise (for me) was the Norwegian government’s commitment to promoting Norway’s nascent design industry.
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Conference Session; Design Objects and the Museum

39th Annual AAH Conference
University of Reading
11 to 13 April 2013

More usually I write up conferences from the vantage point of being an audience member. This time, however, I was a convenor, which entailed defining the theme, sending out our call for papers to networks far and wide, selecting the papers, and chairing the discussion. I’ve written this in partnership with Joanna Weddell.

At the 39th Annual Association of Art Historians Conference, myself and Joanna Weddell (we’re both recipients of AHRC Collaborative Doctorate Awards at the University of Brighton, with the Victoria and Albert Museum and London’s Design Museum, respectively) organised a session titled “Design Objects and the Museum”. Prompted by a quote from Bourdieu and Darbel’s 1969 study of museum visitors (“Maybe there should be museums with modern stuff in them, but it wouldn’t be a proper museum”), the session questioned notions of what could and should be displayed, and where, and how methods of display and interpretation might engage and educate a museum’s public.
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