From the Archive; You never know when you might need them

Spread from ‘Blueprint’ showing University of Brighton Gallery and exhibition design featuring salvaged fire doors

Spread from ‘Blueprint’ showing the University Gallery in Brighton and the exhibition design featuring salvaged fire doors

I was reminded of this article when visiting another exhibition, George Hardie …Fifty Odd Years, also at the University Gallery at University of Brighton. (Look out for a review of that exhibition, soon).

Back in 2005, Professor Hardie contributed his collection of rulers to You never know when you might need them, and they feature in the opening spread of the Blueprint article about the show, see above. At the time, my husband, Gregg Virostek, was an Interior Architecture student and worked on the exhibition build, while I was beginning to explore an obsession with collecting. That interest has developed into a research topic, as evidenced by this blog. So, as this article has yet to be digitised and made available online by the originally publisher it, here it is for reference.
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The Happy Film; graphic design on screen

Stefan Sagmeister in ‘The Happy Film’, seeking discomfort on the streets of New York. Photograph: Ben Wolf.

Stefan Sagmeister in ‘The Happy Film’, seeking discomfort on the streets of New York. Photograph: Ben Wolf.

The Happy Film
Duke of York’s Picturehouse
Preston Road, Brighton, East Sussex
14 June 2017 at 6pm

I’m not a fan of solo cinema visits but even with my partner-in-crime currently ‘away’, I had to see this just released, much discussed film at this special screening. Right on the money, the power-couple hosts of Glug Brighton, Carl Rush of creative agency Crush, and Helen, the renowned Illustration agent and founder of Agency Rush, invited graphic-design hero (and I don’t use the term lightly) Stefan Sagmeister to show his seven-years in the making documentary, The Happy Film. Despite the lure of a glorious summer evening, Brighton’s historic Duke of York’s cinema was packed with the city’s creative community including a good number of Graphic Design and Illustration students from University of Brighton, come to see the legend in action, for after a film of thrills and spills Sagmeister stepped up for the Q&A.
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Imaging New Tate Modern

2016-03-23 15.14.01

From digital to analogue, consider this a signpost to a printed, published article in Blueprint, issue 345. After interviewing Peter Saville, reading Tate Modern press releases, navigating official webpages and searching the media coverage, I wrote a review of an image created by Saville and team that was commissioned to accompany communications about the extension and renovation of Tate Modern, aka “New Tate Modern”. Eventually the image will be incorporated into a revamped identity for the entire Tate empire.
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Manchester, old and new; accessible history in a city of museums

Gallery

This gallery contains 26 photos.

Manchester is a city well provisioned with museums run by Manchester City Council, University of Manchester, independent charitable trusts, and national museum groups that receive government funding. Courses in Curating and Museum Studies are taught at University of Manchester and … Continue reading

From the Archive; revisiting The Gladstone, Toronto

Not everyone in the museum world thinks that the key to growing audiences is inclusivity and diversity. In some quarters, exclusivity and elitism are the order of the day, used to attract audiences of a different character; people too busy to queue or who don’t like crowds and prefer a “private view” atmosphere, albeit one they pay for rather than access by invitation. At this point I’m not judging the trend, but hope to look more closely at it with regard to the opening of fashion- and luxury-brand museums and the launch of new concierge and “passport” services.

This re-posting was inspired by a signpost of the trend, “Museum Oscars”, news of which came via a tweet from CNN. Reporter Maureen O’Hare ponders “surprises” on the short-list and asks why certain “giants” of the museum world are absent. Her copy answers that question without spelling it out; these awards “honor the world’s most visionary art institutions and emerging cultural hotspots”, meaning places that change rather than those that stay the same.

The Leading Culture Destinations Awards boast a glamorous list of “Ambassadors”, a coterie of “cultural nomads” who exercise their taste in judgement; such a media-friendly ploy guarantees high profile coverage. It may reek of hype (or is it just a slow-news day) but the LCD website is sleek and impressive, suggesting that a substantial investment underpins the enterprise. Aside from organising the awards, LCD combines a luxury travel agency, publishing company (online) and event management.

The category “The Best Art Experience in a Hotel” got me excited as museums and hotels are two of my favourite things, so put them together…! One nomination, The Gladstone, had just opened when I wrote about it and its near neighbour, The Drake Hotel; I visited during Toronto’s Alternative Art Fair, which happens each November just before winter weater sets in. Being “art hotels” two venues give themselves over to installations and happenings. Back in 2006 I spent a couple of days at The Drake enjoying a balmy autumnal glow, culminating in a hotel-take-over by Peaches (no less). She played an extraordinary set throughout the hotel, her exploits relayed via video link to screens dotted around the public spaces. The queen bee’s room was next to ours and she demonstrated perfect hotel etiquette; after all the excitement Peaches was gracious enough to kick out her groupies, lowering the decibels so that everyone got a good night’s sleep.

The Gladstone room that CNN rates with a mention is by Ghost Design, aka, Barr Gilmore and Michel Arcand. Suite 318, The Blue Line room works on the same principle as movie special effects sets, allowing guests to doctor their selfie shots by adding digital backgrounds. With this year’s Nuit Blanche, the all-night art rave, happening on Saturday, perhaps it’s time to get a room…

Screen Shot of “The Blue Line” room in The Gladstone

Screen Shot of “The Blue Line” room in The Gladstone


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When an exhibition is a movie…

Manet-Portrait_Berthe_Morisot_with_Violets

Exhibition: Great Art on Screen
Manet: Portraying Life

Duke’s at Komedia, Brighton, UK.
Attended, 3pm, 16 April 2013

Sneaking off to the movies mid-week and daytime usually feels slightly naughty, but this particular escapade fits well with my MPhil/PhD research topic, which is looking at the future of museums (OK, that’s a bit vague)…
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